Excerpts from THE ATLANTA JOURNAL-CONSTITUTION REVIEW Friday, Jan.19, 2001

Take it as gospel: ‘JOHN’ is riveting

By Kathy Janich
	“The Gospel of John” is an amazing achievement. 
	That needs to be said again. “The Gospel of John” is an amazing achievement.
	Atlanta actor Brad Sherrill, who created and performs this original piece, has taken the words of the New Testament’s fourth book and, with his voice, his imagination and a few props, shaped it into a transforming two hours of theater.
	Leaping angrily and overturning furniture, he becomes an enraged Jesus Christ chasing buyers and sellers from his Father’s House.
	Sleepy, reluctant and fearful, he becomes Pontius Pilate, the official who would send Jesus to his death.
	Cowering and sheepish, he’s the disciple Simon Peter denying his alliance with Jesus at the hour his devotion is most critical.
	Sherrill inhabits them all, and many more. And he’s wonderful to see.
	His piece is as inventive as it is athletic. Watch him splash water on the stage floor to simulate rough seas. Or turn a rough-hewn rectangular table on its edge to create Lazarus’ tomb. Follow him as he cuts through the space and moves about the audience, touching hands here and shoulders there, spreading  Jesus’ message of love and inclusion.
	In short, Sherrill entertains and cajoles, moves us and mesmerizes us. “John” is undoubtedly among the best work he’s ever done. You can tell that it enthralls him as an actor. Just as clear is that it fascinates him as a man. This role, with its 20,000 words and myriad personae, allows him…no, commands him to tap into every resource he has!
	The overriding question here is whether the word of God can work as drama. Sherrill proves that it most certainly and successfully can. You need only watch him as John the Baptist, testifying to his first sighting of Jesus Christ, to become a believer. And this moment comes less than 10 minutes into the show.
	Simple, powerful, provocative. If they’d taught the gospel like this in Catholic school, I might have paid attention. And that is a high compliment, indeed!

Brad Sherrill 
Since 2001, Brad Sherrill has performed The Gospel of John over 600 times in churches, cathedrals and theaters across the U.S., Canada and the U.K., including a six-week run off-Broadway at New York City’s historic Lamb’s Theatre and at professional theaters in Chicago, Washington D.C., Toronto and Atlanta. International performances have included many large, historic cathedrals in Europe such as Westminster Cathedral (London, 2007), Christ Church Cathedral (Dublin, 2008) and St. Peter’s Cathedral (Belfast, 2008.) Brad has premiered new works in recent years including Prophets (at Georgia Shakespeare, Atlanta, 2010) and Red Letter Jesus (at Theatre in the Square, Atlanta, 2012) and now presents all three performances in venues nationwide.